Flannery O'Connor and Charles Williams: Coming to the Big (and Small) Screen

Posted by -
Brad Dourif as Hazel Motes in Wise Blood
I just ran across the Facebook page for a television and film production company called Good Country Pictures. This small company is dedicated to bringing the works of Flannery O'Connor and Charles Williams to the screen, and currently is working on producing a TV series based on O'Connor's short stories, and making a film of Williams's novel, All Hallows Eve. Here's how they describe their mission:
Good Country Pictures is dedicated to producing TV and film projects that help their audience rediscover 'mystery and manners.' GCP presently owns the TV and film option rights to most of the works of Flannery O'Connor and Charles Williams. Already underway is a feature film of O'Connor's 'The Violent Bear It Away' and a TV series of her short stories. A film treatment of Charles Williams' 'All Hallows' Eve' (1941) is also in progress.
I've recently written a bit about Flannery O'Connor (there's lots more I'd like to say, when time allows); if you visit Good Country Pictures' Facebook page, you'll find links to various resources online that will help you learn more about both these writers. A number of Flannery O'Connor's works have been adapted for television (not very successfully); they are also the favorite subject of amateur filmmakers -- just take a look on YouTube and you'll find plenty of videos made by students, indies, and other O'Connor enthusiasts. By far the best made and best known adaptation is John Huston's feature film of Wise Blood, in which a very young Brad Dourif was brilliantly cast as Hazel Motes (the Criterion edition is available on DVD).

Charles Williams novelist
Charles Williams,
Inkling & novelist
Those who don't know the works of Charles Williams are missing a treat. Inklings fans will know that Williams was a member of that literary coterie, the only one of the group who did not teach at one of the great English universities. C. S. Lewis was a great admirer. Williams is best known for his metaphysical novels, which are weirdly surreal yet rooted in a profoundly Christian worldview. (Williams also wrote poetry and at least two works of theology.) There's really no way to describe his books adequately; probably the best one to begin with is War in Heaven, which has to do with the Holy Grail, found in an English country church, and the struggle between good and evil forces to possess it. I'm not aware of any screen adaptations of Williams's novels, but they would all be wonderful as films.

I'll be interested in seeing what Good Country Pictures produces.

Comments

Post a Comment

Popular posts from this blog

Grace and Purification in Flannery O'Connor's “Revelation”

Posted by -
Image
A recent comment on an old post about Flannery O'Connor raises some questions that I thought I would respond to in a separate post, rather than depositing them in the obscurity of the comm box. Janet Baker left a long comment (you can read it in its entirety there), which says in part: I'm currently working on the short story Revelation, looking at the text for what it says about Flannery's Catholicism, rather than listening to her pronouncements in non-fiction, like her letters. If you read the story, you will note that it is Mrs. Turpin's virtues that must be burned away before she enters heaven, and that people enter heaven in groups, racial and social. Perhaps you don't read either St. Thomas Aquinas, or Teilhard de Chardin, nor have I extensively, but if you begin to read about it, you'll see that St. Thomas promotes the virtues of which Mrs. Turpin is guilty--generous almsgiving, supporting the Church, helping others regardless of their worthines
Keep reading »

Reading and the Moral Imagination: Plato and truth in fiction

Posted by -
Image
Nota Bene: I originally published this post back in 2012, and it has been one of the most-read posts on this blog ever since. In fact, it sums up pretty well my defense of the necessity of literature — an apologia pro literatura , if you will. For this reason, I’ve decided to pin it here to the top of the blog, so that anyone who stumbles on this site accidentally will know what I’m on about. If you want to know more, try reading some of the other articles in the “popular posts” list that you’ll find in the sidebar to the right. Welcome, and don’t feel shy about leaving comments. I respond to all comments on this blog (which is how I happened to write my most popular post of all time ). Some time ago, I lamented the fact that people — even allegedly “educated” people — these days are reading less and less; and I began to explore the question of why this fact should alarm us. Isn't reading just one of many ways to amuse ourselves in idle moments? Why should reading novels, say,
Keep reading »

The Story of the Flood in the Epic of Gilgamesh

Posted by -
Image
Today we come to the second part of our examination of the story of the Great Flood found in the Epic of Gilgamesh — wherein we will look at the story itself . I'm actually going to break this into two separate posts, a summary of the story and the interpretation of it, which I'll combine with an examination of the story's significance. Before I do that, however, let's recap what we've already covered in Part 1 . Last time, in the first step, the rhetorical analysis, we noted that the Flood account is really a story-within-a-story, which means we need to consider it along with the larger story that contains it. This narrative technique is sometimes called a “ frame tale ,” a term that is very appropriate in this case because the story of Gilgamesh provides the frame (context) for the part we're most interested in, and the Flood story is what gets framed (the focus of our attention). Still, although we are most interested in the Flood account, the relation
Keep reading »

Mystery, thrills and suspense from contemporary Catholic writers

Posted by -
Image
I was sorting through a bunch of goodies that I picked up last August at the combined Catholic Writers Guild/New Media/Marketing Network conference and thought I would pass them on to you, before I "file" them (you know what that means). Among other things, I nabbed a number of marketing cards for novels written by members of the Catholic Writers Guild, and I thought I would commend these books to your consideration (even though I have not read most of them). A few that don't get mentioned here will be noted over on my Catholic Science Fiction blog . Today, I thought I would focus on suspense and mystery titles. Here goes: Unbridled Grace: A True Story about the Power of Choice , by Michael J. Norman. This one actually is not fiction, but fact. The author is a chiropractor from right here in the Dallas/Fort Worth area, whose true story sounds like a best-selling thriller. Dr. Norman got dragged into a rats' nest of intrigue when he unknowingly got involved with a
Keep reading »

Rerum Novarum in context

Posted by -
Image
Res novae Pope Leo XIII wrote his encyclical Rerum Novarum at the end of the nineteenth century. The previous hundred years had seen a huge upheaval in the way people in the Western world lived and thought. Some changes happened so fast that, even after a hundred years, the world hadn’t yet figured out how to deal adequately with situations that were already a fact of life. One proposed “solution” to the problems of the Western world was set forth in The Communist Manifesto , written by Friedrich Engels and Karl Marx, but as Pope Leo saw clearly, not only didn’t the Marxist solution fix anything, it only made things worse. That’s the main reason the Holy Father wrote Rerum Novarum , which is perhaps the first papal encyclical that found widespread resonance outside the Catholic Church. Linguistic context: The title Before we look more closely at the social, political, and religious context in which this encyclical letter was written, I’d like to say something about its titl
Keep reading »

Moral Imagination: Beauty, Truth, and Goodness

Posted by -
Image
Recently I wrote about literature as being capable of conveying, and even discovering, truth, which can be called “poetic knowledge.” Both Aristotle and St Thomas Aquinas upheld a similar view, Aristotle by demonstrating that poetry is “more philosophical” (i.e., more capable of demonstrating truth) than history, and St Thomas acknowledging poetry as a kind of “science” ( scientia ) or knowledge, albeit a lower form of knowledge than philosophy because it relies more on imagination than intellect. Today I’d like to consider the value of beauty, an abstract value, but one that we often associate with poetry, as well as music and the fine arts. Beauty lifts us up My thoughts are prompted by this interesting feature article from the National Catholic Register, “True Beauty Satisfies the Human Heart,” an interview by Trent Beattie of psychologist Margaret Laracy, who identifies beauty as a kind of knowledge. Laracy has made a study of the healing effects of beauty on thos
Keep reading »

Epic poetry and the moral imagination

Posted by -
Image
This fall I’ve been teaching a course on Medieval Epic Poetry, a continuation of the Ancient Epic course I taught last spring, in which we read Homer’s Iliad and Odyssey and Vergil’s Aeneid , poems that are all deeply grounded in a pagan worldview but which nonetheless examine human nature, and particularly human excellence, in such an authentic way that they continue to speak profoundly to readers in our own day. Still, the pagan world that produced those works valued things that sometimes run counter to Christian values, so their heroes may seem strange and not entirely admirable to a modern Christian. Nonetheless, all the poems we read in the Medieval Epic course are written by Christian poets who have, to one extent or another, appropriated the epic tradition and made it their own. What does it mean to be a hero? Achilles was famous for his godlike rage. This shows, on the one hand, the powerful appeal of the epic form and, on the other hand, the way Christians have
Keep reading »